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The New York Times described the film as visually appealing, but «disappointingly hollow» as an account of Hughes’s early life. According to him, the main achievement for Scorsese is that he managed to restore the name of Howard Hughes as a pioneer aviator. David T. Courtwright in The Journal of American History characterized The Aviator as a technically brilliant and emotionally disturbing film. Of the film, he said it is «a gorgeous tribute to the Golden Age of Hollywood», although it «tips the balance of spectacle versus substance in favour of the former». In his review for The Daily Telegraph, Sukhdev Sandhu praised Scorsese’s direction, DiCaprio and the supporting cast’s performances, but considered Beckinsale «miscast». Audiences polled by CinemaScore gave the film an average grade of «B+» on a scale of A+ to F.

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• The Aviator is a 2004 epic biographical drama film directed by Martin Scorsese and written by John Logan.
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DiCaprio suffered from a mild version of the disorder as a child, which returned when filming the movie. Angelina Jolie was approached by the studios to have a role in the film, but she turned it down after learning executive producer Harvey Weinstein was involved with the film. Nolan again, shelved the project when Warren Beatty was developing his long-awaited Hughes film. Also in the early 2000s, director Christopher Nolan had developed a film about Hughes, also based on Hack’s biography. In the mid-1990s and early 2000s, director Miloš Forman was in talks to direct a film about the early life of Hughes with Edward Norton as Hughes.

Pictures bought North American distribution rights to The Aviator shortly before production on the film began. The motion-controlled Spruce Goose and Hughes Hangar miniatures built by New Deal Studios are on display at the Evergreen Aviation Museum in McMinnville, Oregon, with the original Hughes H-1 Spruce Goose. The critical reaction to the CGI models in Pearl Harbor (2001) had been a crucial factor in Scorsese’s decision to use full-scale static and scale models in this film. When Martin Scorsese began planning his aviation epic, a decision was made to film flying sequences with scale models rather than CGI special effects. According to Scorsese, this was done to emulate the look of early bipack color films, in particular the Multicolor process, which Hughes owned, emulating the available technology of the era.